Christopher Nolan's engrossing take on The Odyssey dominated at the box office and spurred a newfound interest in classic literature among filmgoers. But a new retelling of the story made entirely with AI is so bad that it might just make viewers hate the original tale altogether.

The new film, called Odysseus: The Fall, comes via AI firm Fountain 0 and is written and directed by company cofounder Ash Koosha, who also lent his likeness to the title character and created all of the music. (The film's credits are very short.) The studio's only previous work is an AI film called Dreams of Violets that made it into Tribeca earlier this year. Th …

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When Paul W.S. Anderson's Resident Evil hit theaters in 2002, video game movies were largely seen as a niche. Films like Mortal Kombat and Tomb Raider had proven that big-screen game adaptations could be successful, but the commercial and critical failure of projects like the 1993 Super Mario Bros. still cast a long shadow. And while Anderson's vision of Raccoon City might have captivated audiences on the whole, many hardcore fans of Capcom's games were left disappointed by the way the original movies wildly deviated from the source material.

Weapons director Zach Cregger's new take on Resident Evil is a return to the franchise's fundamenta …

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There are a lot of movies that have tried to seamlessly integrate modern tech - text messages, livestreams, etc. - into their storytelling. Some of the most novel attempts have been in the genre space, like the Twitch-style horror flick Deadstream. But the most chaotic to date might just be Vintage Violence, an absurd crime thriller with lots of blood, jokes, and screentime.

I was able to catch Vintage Violence, the latest from director Eugene Kotlyarenko, on my fifth day at the Toronto International Film Festival. Kotlyarenko has previously explored our hyper-connected culture in 2020's Spree, a movie in which Stranger Things' Joe Keery pl …

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It makes sense that Musk is a long film. The latest from Alex Gibney, who has previously directed documentaries about Theranos and Steve Jobs, is an impressively thorough retelling of the story of Elon Musk, from his early days as a dot-com millionaire to "taking a wood chipper" to vital US government departments. In order to understand Musk's rise to power, you need to know the whole story. Musk tells it compellingly and convincingly, but doesn't offer much in the way of revelations if you're aware of Musk's catastrophic influence on the world. For everyone else, a demanding runtime just shy of four hours might prove too much of a barrier t …

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Marvel's mishandling of its Blade reboot will likely go down as one of the studio's biggest mistakes. There was a great actor in place to play the vampire hunter (Mahershala Ali), and a promising director set to take over the reins (Bassam Tariq). In retrospect, though, the disappointing demise of Blade might not be such a bad thing, because Tariq and Ali have collaborated on something much more interesting than a superhero reboot: the powerful hitman thriller Your Mother Your Mother Your Mother.

That was one of five movies I was able to cram into a very hectic third day at the Toronto International Film Festival (you can see my previous re …

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Due to a scheduling mishap, I was only able to check out two movies on my second day at the Toronto International Film Festival - but I did manage to get an early look at and some fascinating details on one of my most anticipated films this year.

Even if you don't know the name Laika, you probably know the studio's work; it's the animation house behind stop-motion hits like ParaNorman, The Boxtrolls, and Kubo and the Two Strings. Over the years Laika's films have steadily gotten more impressive on both a technical and artistic level. Which brings us to the incredible-looking Wildwood, hitting theaters next month. If you're unfamiliar, here' …

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Hello once again from Toronto, where for a week every year I watch far too many movies and tell you all about them. The festival, better known as TIFF, is always a great preview of the months ahead in film, with a nice mix of mainstream fare, awards contenders, indie surprises, and genre flicks destined to be cult classics. The streamers also love to make their presence felt here, previewing some of their most anticipated projects. Last year, for instance, Netflix showed off both Guillermo del Toro's long-awaited Frankenstein as well as the third Knives Out movie, and I was also able to watch everything from the terrifying video game adaptat …

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Jane Schoenbrun's latest film, Teenage Sex and Death at Camp Miasma, is making a splash in theaters right now. So it seems like the perfect time to revisit their first film, We're All Going to the World's Fair. I fell in love with this film when I first saw it at Sundance in 2021.

We are immediately introduced to our protagonist, Casey, as she engages in the World's Fair Challenge, a sort of ARG creepypasta meets ice bucket challenge. There's a creepy mantra, some bloodletting, and a mysterious video - basically a speedrun of horror movie tropes. But having them all delivered by this young girl alone in her room who just stares directly in …

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