Now that Paramount has reached a settlement with the 12 states that were suing to block its $110 billion merger with Warner Bros. Discovery (WBD), the studio is even closer to becoming one of the world's biggest production houses. In addition to spending at least $300 million more on film and TV projects produced in the US, Paramount says that it will release a minimum of 30 movies annually after it absorbs WBD. On paper, these goals make it sound like Paramount is trying to ensure that the entertainment industry won't be harmed by its WBD acquisition. But when you look at the studios' recent output, it seems very much like Paramount CEO Dav …

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Christopher Nolan's engrossing take on The Odyssey dominated at the box office and spurred a newfound interest in classic literature among filmgoers. But a new retelling of the story made entirely with AI is so bad that it might just make viewers hate the original tale altogether.

The new film, called Odysseus: The Fall, comes via AI firm Fountain 0 and is written and directed by company cofounder Ash Koosha, who also lent his likeness to the title character and created all of the music. (The film's credits are very short.) The studio's only previous work is an AI film called Dreams of Violets that made it into Tribeca earlier this year. Th …

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When Paul W.S. Anderson's Resident Evil hit theaters in 2002, video game movies were largely seen as a niche. Films like Mortal Kombat and Tomb Raider had proven that big-screen game adaptations could be successful, but the commercial and critical failure of projects like the 1993 Super Mario Bros. still cast a long shadow. And while Anderson's vision of Raccoon City might have captivated audiences on the whole, many hardcore fans of Capcom's games were left disappointed by the way the original movies wildly deviated from the source material.

Weapons director Zach Cregger's new take on Resident Evil is a return to the franchise's fundamenta …

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There are a lot of movies that have tried to seamlessly integrate modern tech - text messages, livestreams, etc. - into their storytelling. Some of the most novel attempts have been in the genre space, like the Twitch-style horror flick Deadstream. But the most chaotic to date might just be Vintage Violence, an absurd crime thriller with lots of blood, jokes, and screentime.

I was able to catch Vintage Violence, the latest from director Eugene Kotlyarenko, on my fifth day at the Toronto International Film Festival. Kotlyarenko has previously explored our hyper-connected culture in 2020's Spree, a movie in which Stranger Things' Joe Keery pl …

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It makes sense that Musk is a long film. The latest from Alex Gibney, who has previously directed documentaries about Theranos and Steve Jobs, is an impressively thorough retelling of the story of Elon Musk, from his early days as a dot-com millionaire to "taking a wood chipper" to vital US government departments. In order to understand Musk's rise to power, you need to know the whole story. Musk tells it compellingly and convincingly, but doesn't offer much in the way of revelations if you're aware of Musk's catastrophic influence on the world. For everyone else, a demanding runtime just shy of four hours might prove too much of a barrier t …

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