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	<title type="text">Books | The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2026-07-29T19:06:24+00:00</updated>

	<link rel="alternate" type="text/html" href="https://www.theverge.com/books" />
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		<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Amazon’s short story collections are one of the best reasons to own a Kindle]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/tech/972612/amazons-kindle-short-stories" />
			<id>https://www.theverge.com/?p=972612</id>
			<updated>2026-07-29T15:06:24-04:00</updated>
			<published>2026-07-30T08:30:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Amazon" /><category scheme="https://www.theverge.com" term="Analysis" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[Over the last few years, I've gradually shifted away from ebooks. It's been part of a general return to physical media, an attempt to create a deeper sense of ownership over the art I love and collect. A Kindle is obviously more convenient than a paperback: It's tiny, holds a huge library, and you can [&#8230;]]]></summary>
			
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<figure>

<img alt="The 2024 Kindle Paperwhite." data-caption="" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/25679990/247326_Amazon_Kindle_2024_AKrales_0007.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">Over the last few years, I've gradually shifted away from ebooks. It's been part of a general return to physical media, an attempt to create a deeper sense of ownership over the art I love and collect. A Kindle is obviously more convenient than a paperback: It's tiny, holds a huge library, and you can purchase new books instantly. But, <a href="https://www.theverge.com/games/822849/analogue-3d-review-n64">much like with retro game cartridges</a>, I find there's a deeper connection formed with a book dug out of a stack in a used book shop versus simply choosing the next thing in a series from a menu on an e-reader. But I haven't completely given up on my Kindle, and there's one big reason - actually, there are lots  …</p>
<p><a href="https://www.theverge.com/tech/972612/amazons-kindle-short-stories">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Artists are lawyering up against AI slop, and some are even winning]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/ai-artificial-intelligence/971059/ai-artists-lawsuit-google-meta-anthropic" />
			<id>https://www.theverge.com/?p=971059</id>
			<updated>2026-07-28T16:19:25-04:00</updated>
			<published>2026-07-29T08:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Anthropic" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Google" /><category scheme="https://www.theverge.com" term="Law" /><category scheme="https://www.theverge.com" term="Music" /><category scheme="https://www.theverge.com" term="OpenAI" /><category scheme="https://www.theverge.com" term="Policy" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[When The Atlantic published a searchable dataset of works used to train AI, Kirk Wallace Johnson, like a lot of artists, looked for his name out of curiosity. And, like a lot of artists, he found it. Essentially, his books, like The Feather Thief and The Fishermen and the Dragon - nonfiction tomes that he [&#8230;]]]></summary>
			
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<figure>

<img alt="a middle finger being at an AI sparkle" data-caption="Artists whose work has been co-opted by AI are taking to court. | Image: Alex Parkin / The Verge" data-portal-copyright="Image: Alex Parkin / The Verge" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/07/268669_The_artists_suing_AI_companies_AParkin.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Artists whose work has been co-opted by AI are taking to court. | Image: Alex Parkin / The Verge	</figcaption>
</figure>
<p class="wp-block-paragraph">When <em>The Atlantic </em>published a <a href="https://www.theatlantic.com/category/ai-watchdog/">searchable dataset</a> of works used to train AI, Kirk Wallace Johnson, like a lot of artists, looked for his name out of curiosity. And, like a lot of artists, he found it. Essentially, his books, like <em>The Feather Thief </em>and <em>The Fishermen and the Dragon - </em>nonfiction tomes that he spent "five to six years researching, writing, and investigating" - had been pirated and fed to a chatbot. He says he felt a "cocktail" of emotions: "anger over the brazenness of the theft, worry over what this means for writers, and a healthy thirst for revenge on these massive corporations that have become galactically wealthy" using his  …</p>
<p><a href="https://www.theverge.com/ai-artificial-intelligence/971059/ai-artists-lawsuit-google-meta-anthropic">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Synth historian Oli Freke will spend big on a good bicycle]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/971013/oli-freke-bjooks-beat-gems-drum-machine-book-interview" />
			<id>https://www.theverge.com/?p=971013</id>
			<updated>2026-07-25T10:51:21-04:00</updated>
			<published>2026-07-25T11:15:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Oli Freke is a musician and journalist whose works have appeared in Sound on Sound, The Quietus, and Mixmag. This has included using math to explore the melodic potential of the Western 12-tone scale and deep dives on effects plug-ins. He's even written a book tracing the evolution of the synthesizer from 1963 through 1995, [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/07/Oli-Freke-photo.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">Oli Freke is a musician and journalist whose works have appeared in <em>Sound on Sound</em>, <em>The Quietus</em>, and <em>Mixmag</em>. This has included using math to explore the <a href="https://plus.maths.org/how-many-melodies-are-there">melodic potential</a> of the Western 12-tone scale and deep dives on <a href="https://www.soundonsound.com/techniques/ableton-live-12-granulator-iii">effects plug-ins</a>. He's even written a book tracing the <a href="https://www.olifreke.co.uk/books">evolution of the synthesizer</a> from 1963 through 1995, charting the change from analog to digital and back. </p>
<p class="wp-block-paragraph">His new project is <a href="https://www.theverge.com/entertainment/944102/beat-gems-is-a-big-beautiful-book-of-drum-machines"><em>Beat Gems</em></a>, a coffee-table visual history of drum machines from publisher <a href="https://www.kickstarter.com/projects/bjooks/beat-gems-drum-machines-in-modern-music/">Bjooks</a>. Like other Bjooks titles, <em>Beat Gems</em> is loaded with gorgeous photos, fascinating historical tidbits, and practical advice for making the most of your gear, whether it's  …</p>
<p><a href="https://www.theverge.com/entertainment/971013/oli-freke-bjooks-beat-gems-drum-machine-book-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Dave Eggers told OpenAI staff  that ChatGPT was ‘silencing an entire generation’]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/ai-artificial-intelligence/967630/dave-eggers-openai-chatgpt-silencing-an-entire-generation" />
			<id>https://www.theverge.com/?p=967630</id>
			<updated>2026-07-20T06:03:29-04:00</updated>
			<published>2026-07-18T16:54:42-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="News" /><category scheme="https://www.theverge.com" term="OpenAI" />
							<summary type="html"><![CDATA[Last year, Sam Altman invited author Dave Eggers to give a talk to around 200 OpenAI staffers. The man has written countless novels, screenplays, pieces of journalism, started McSweeney's, and founded multiple schools and nonprofits that support writers and the arts more broadly. So one might expect he'd roll into the company's offices and offer [&#8230;]]]></summary>
			
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<img alt="" data-caption="Dave Eggers attends the &quot;The Turning Point: To Be Destroyed&quot; premiere. | Image: John Lamparski/Getty Images for Tribeca Festival" data-portal-copyright="Image: John Lamparski/Getty Images for Tribeca Festival" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/07/gettyimages-2157758001.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Dave Eggers attends the "The Turning Point: To Be Destroyed" premiere. | Image: John Lamparski/Getty Images for Tribeca Festival	</figcaption>
</figure>
<p class="wp-block-paragraph">Last year, Sam Altman invited author Dave Eggers to give a talk to around 200 OpenAI staffers. The man has written countless <a href="https://www.theverge.com/2013/8/15/4623732/dave-eggers-the-circle-initial-synopsis">novels</a>, screenplays, pieces of journalism, started <a href="https://www.theverge.com/art-club/660587/mcsweeneys-quarterly-78-vietnamese-diaspora-cigar-box">McSweeney's</a>, and founded multiple schools and nonprofits that support writers and the arts more broadly. So one might expect he'd roll into the company's offices and offer tips on being relentlessly prolific, or how to excel in multiple fields. Instead, he apparently laced into the company. According to the <em><a href="https://www.ft.com/content/1c833e7b-3cba-4b87-8b45-33d6c2bd468e?syn-25a6b1a6=1">Financial Times</a></em>, Eggers told the staff:</p>
<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p class="wp-block-paragraph">"The effect of ChatGPT on educators' lives is catastrophic. Whether you intended to do it or not, you've made every teache …</p></blockquote>
<p><a href="https://www.theverge.com/ai-artificial-intelligence/967630/dave-eggers-openai-chatgpt-silencing-an-entire-generation">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[The Guardian’s Carter Sherman fondly remembers being terrified by Ocarina of Time]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/report/967583/guardian-carter-sherman-podcast-interview" />
			<id>https://www.theverge.com/?p=967583</id>
			<updated>2026-07-18T10:26:16-04:00</updated>
			<published>2026-07-18T10:30:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Carter Sherman has been covering sex, gender, and the complex personal and national politics that accompany them for years. She was a senior reporter for Vice and has written for Elle, Ms. magazine, and Los Angeles magazine as well. Along the way, she's garnered a Scripps Howard Award, a National Press Club Journalism Award, and [&#8230;]]]></summary>
			
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<img alt="Carter Sherman sitting on a the floor in front of a couch, instead of just on it for some reason." data-caption="Carter, there’s a couch RIGHT THERE. | Image:" data-portal-copyright="Image: " data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/07/CARTER-FNL-9816-EV3.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Carter, there’s a couch RIGHT THERE. | Image:	</figcaption>
</figure>
<p class="wp-block-paragraph">Carter Sherman has been covering sex, gender, and the complex personal and national politics that accompany them for years. She was a senior reporter for <em>Vice</em> and has written for <em>Elle</em>, <em>Ms. </em>magazine, and <em>Los Angeles</em> magazine as well. Along the way, she's garnered a Scripps Howard Award, a National Press Club Journalism Award, and four Emmy nominations. </p>
<p class="wp-block-paragraph">She's also the author of <a href="https://www.simonandschuster.com/books/The-Second-Coming/Carter-Sherman/9781668052457"><em>The Second Coming: Sex and the Next Generation's Fight Over Its Future</em></a>. That book looks at how the internet and our polarized political landscape have changed sex and relationships, from school board battles over sex ed to abortion access. These days she finds herself …</p>
<p><a href="https://www.theverge.com/report/967583/guardian-carter-sherman-podcast-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Margaret Atwood says the problem with AI is &#8216;garbage in, garbage out&#8217;]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/ai-artificial-intelligence/958715/margaret-atwood-ai-problem-garbage-in-garbage-out" />
			<id>https://www.theverge.com/?p=958715</id>
			<updated>2026-06-29T11:32:28-04:00</updated>
			<published>2026-06-27T14:39:32-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="News" />
							<summary type="html"><![CDATA[Margaret Atwood, the storied author of The Handmaid's Tale and The Blind Assassin, was interviewed as part of the Babell Literary and Cultural Festival in Porto, Portugal. As it usually does at these things, the issue of AI came up, and Atwood didn't mince words. According to Deadline's recap, Atwood said she'd used an AI [&#8230;]]]></summary>
			
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<img alt="" data-caption="Margaret Atwood onstage at Detroit Opera House on January 26, 2026 | Photo: Monica Morgan/Getty Images" data-portal-copyright="Photo: Monica Morgan/Getty Images" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/06/gettyimages-2258417618.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Margaret Atwood onstage at Detroit Opera House on January 26, 2026 | Photo: Monica Morgan/Getty Images	</figcaption>
</figure>
<p class="wp-block-paragraph">Margaret Atwood, the storied author of <em>The Handmaid's Tale</em> and <em>The Blind Assassin</em>, was interviewed as part of the Babell Literary and Cultural Festival in Porto, Portugal. As it usually does at these things, the issue of AI came up, and Atwood didn't mince words.</p>
<p class="wp-block-paragraph">According to <em><a href="https://deadline.com/2026/06/margaret-atwood-ai-claude-babell-literary-festival-1236969046/">Deadline</a></em><a href="https://deadline.com/2026/06/margaret-atwood-ai-claude-babell-literary-festival-1236969046/">'s</a> recap, Atwood said she'd used an AI chatbot exactly once, Anthropic's Claude, and came away unimpressed. She was looking for information about the British detective series <em>Father Brown</em> and, well:</p>
<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p class="wp-block-paragraph">"Claude gave me the wrong answer, or it lied. Of course, it didn't know it was lying because it's not a human being; it's a large language model… It had skimmed a …</p></blockquote>
<p><a href="https://www.theverge.com/ai-artificial-intelligence/958715/margaret-atwood-ai-problem-garbage-in-garbage-out">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Japanese Gothic is a gorgeously grotesque ghost story]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/943230/japanese-gothic-kylie-lee-baker-horror-novel" />
			<id>https://www.theverge.com/?p=943230</id>
			<updated>2026-06-04T15:04:13-04:00</updated>
			<published>2026-06-07T11:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Book Review" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" />
							<summary type="html"><![CDATA[I'll give the usual caveat: The horror novel Japanese Gothic is best experienced going in with as little information as possible. Content warnings for graphic gore, scenes of domestic violence, self-harm, and mental illness. If you're okay with that, then consider pausing here. While I will try to keep this relatively spoiler-free, there will be [&#8230;]]]></summary>
			
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<img alt="The cover of Kylie Lee Baker’s novel ‘Japanese Gothic’ set against a pixelated background." data-caption="" data-portal-copyright="Image: HarperCollins" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/06/japanese-gothic.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
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<p class="has-text-align-none wp-block-paragraph">I'll give the usual caveat: The horror novel <a href="https://bookshop.org/p/books/japanese-gothic-a-gothic-dual-timeline-novel-of-ghosts-hauntings-and-redemption-kylie-lee-baker/a4bf271fd9b1e40c?ean=9781335001559&amp;next=t"><em>Japanese Gothic</em></a> is best experienced going in with as little information as possible. Content warnings for graphic gore, scenes of domestic violence, self-harm, and mental illness. If you're okay with that, then consider pausing here. While I will try to keep this relatively spoiler-free, there will be some plot points I can't avoid.</p>
<p class="has-text-align-none wp-block-paragraph"><a href="https://www.kylieleebaker.com/">Kylie Lee Baker</a>'s latest novel, following her acclaimed <a href="https://bookshop.org/p/books/bat-eater-and-other-names-for-cora-zeng-kylie-lee-baker/e44aee78c08db7be?ean=9781335001528&amp;next=t"><em>Bat Eater and Other Names for Cora Zeng</em></a>, is sort of a ghost story and sort of a time travel story. It follows two protagonists. </p>
<p class="has-text-align-none wp-block-paragraph">Lee Turner is an NYU student in 2026 who has fled to Japan to stay with his father …</p>
<p><a href="https://www.theverge.com/entertainment/943230/japanese-gothic-kylie-lee-baker-horror-novel">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[On Trails is a wandering tale that blends hiking, science, and history]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/936860/robert-moor-on-trails-book-review" />
			<id>https://www.theverge.com/?p=936860</id>
			<updated>2026-05-24T11:13:58-04:00</updated>
			<published>2026-05-24T11:15:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Book Review" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Science" />
							<summary type="html"><![CDATA[Hiking is one of life's great joys. Turning off the screens and stepping out into nature for an extended period of time, perhaps even several days, is rejuvenating. Unfortunately, as someone with two young kids and a bad back, I'm not really able to go backpacking anymore. So I often find myself trying to live [&#8230;]]]></summary>
			
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<img alt="The cover of On Trails: An Exploration by Robert Moor." data-caption="" data-portal-copyright="Image: Simon &amp; Schuster" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/05/On-Trails.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
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<p class="has-text-align-none wp-block-paragraph">Hiking is one of life's great joys. Turning off the screens and stepping out into nature for an extended period of time, perhaps even several days, is rejuvenating. Unfortunately, as someone with two young kids and a bad back, I'm not really able to go <a href="https://www.theverge.com/hands-on/668845/all-trails-gaia-gps-cal-topo-backpacking-review">backpacking</a> anymore. So I often find myself trying to live vicariously through others who write about their lengthy travails along the Appalachian or the <a href="https://www.theverge.com/23630167/pacific-crest-trail-hiking-backpacking-gear-2600-miles">PCT</a>. That's what I thought I was signing up for when I picked up <em>On Trails: An Exploration</em> by <a href="https://www.robertmoor.com/">Robert Moor</a>. But it turned out to be so much more.</p>
<p class="has-text-align-none wp-block-paragraph">The prologue starts with Moor talking about his decision to thru-hike the Appalachian Trail. And …</p>
<p><a href="https://www.theverge.com/entertainment/936860/robert-moor-on-trails-book-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Josh Dzieza</name>
			</author>
			
			<title type="html"><![CDATA[How Project Maven taught the military to love AI]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/ai-artificial-intelligence/917996/project-maven-military-ai-katrina-manson" />
			<id>https://www.theverge.com/?p=917996</id>
			<updated>2026-06-09T14:17:08-04:00</updated>
			<published>2026-04-24T13:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Entertainment" />
							<summary type="html"><![CDATA[In the first 24 hours of the assault on Iran, the US military struck more than 1,000 targets, nearly double the scale of the "shock and awe" attack on Iraq over two decades ago. This acceleration was made possible by AI systems that speed up the targeting process. Chief among them is the Maven Smart [&#8230;]]]></summary>
			
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<p class="has-drop-cap has-text-align-none wp-block-paragraph">In the first 24 hours of the assault on Iran, the US military struck more than 1,000 targets, nearly double the scale of the "shock and awe" attack on Iraq over two decades ago. This acceleration was made possible by AI systems that speed up the targeting process. Chief among them is the Maven Smart System.</p>
<p class="has-text-align-none wp-block-paragraph">In her new book,<em> </em><a href="https://wwnorton.com/books/project-maven"><em>Project Maven: A Marine Colonel, His Team, and the Dawn of AI Warfare</em></a>, journalist Katrina Manson investigates the development of Maven from its inception in 2017 as an experiment in applying computer vision to drone footage. The project spurred employee <a href="https://www.theverge.com/2018/4/4/17199818/google-pentagon-project-maven-pull-out-letter-ceo-sundar-pichai">protests at Google</a>, the military's initial contractor, prompting the …</p>
<p><a href="https://www.theverge.com/ai-artificial-intelligence/917996/project-maven-military-ai-katrina-manson">Read the full story at The Verge.</a></p>
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			<author>
				<name>Terrence O’Brien</name>
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			<title type="html"><![CDATA[The Stars My Destination is classic proto-cyberpunk]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/914680/the-stars-my-destination-alfred-bester-review-cyberpunk" />
			<id>https://www.theverge.com/?p=914680</id>
			<updated>2026-04-20T10:56:42-04:00</updated>
			<published>2026-04-19T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Book Review" /><category scheme="https://www.theverge.com" term="Books" /><category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" />
							<summary type="html"><![CDATA[This might feel like a somewhat obvious recommendation to some, but it flew under my radar until now. Alfred Bester's The Stars My Destination (originally published as Tiger! Tiger! in the UK) is a 1956 sci-fi novel that some have cited as a precursor to cyberpunk. It's a work I admit I have some conflicted [&#8230;]]]></summary>
			
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<img alt="The cover of The Stars My Destination, by Alfred Bester." data-caption="Gully Foyle is my name… | Image: Brick Tower Press" data-portal-copyright="Image: Brick Tower Press" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/04/The-Stars-My-Destination.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	Gully Foyle is my name… | Image: Brick Tower Press	</figcaption>
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<p class="has-text-align-none wp-block-paragraph">This might feel like a somewhat obvious recommendation to some, but it flew under my radar until now. Alfred Bester's <em>The Stars My Destination</em> (originally published as <em>Tiger! Tiger!</em> in the UK) is a 1956 sci-fi novel that some have cited as a <a href="https://sciencefiction.loa.org/appreciation/gibson.php">precursor to cyberpunk</a>. It's a work I admit I have some conflicted feelings about, but one I think is well worth reading if you consider yourself a fan of sci-fi. It's also well worth seeking out a physical copy, something I wish I had known before I started reading it in the objectively inferior ebook form that can't capture the <a href="https://en.wikipedia.org/wiki/Ergodic_literature">ergodic</a> elements of the climax.</p>
<p class="has-text-align-none wp-block-paragraph">It's hard to explain the plot of <em>The Stars …</em></p>
<p><a href="https://www.theverge.com/entertainment/914680/the-stars-my-destination-alfred-bester-review-cyberpunk">Read the full story at The Verge.</a></p>
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