More From Robyn Kanner
An interview with ‘Sheep in the Box’ director Hirokazu Kore-eda.
Sho Miyake has been celebrated for his quiet, careful character portraits in his home country. Now his two latest films are available stateside.
Director Hlynur Pálmason wanted to make a new family film. So in The Love That Remains, he featured some of his own.
Speaking with director Joachim Trier about his awards season darling Sentimental Value
A crime movie about a guy who can’t charm his way out of trouble.
Talking to director Brady Corbet on how he constructed The Brutalist, a 3.5-hour saga and now a major awards contender
Joshua Oppenheimer’s ‘The End’ is a musical about wicked people. But it’s very different from ‘Wicked.’
The director of Anora talks about representing sex work onscreen and how sticking the landing of a film means thinking about it first.
Director Bertrand Bonello tells us how his new film confronts the past, present, and future
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