As distressing as it is to see the mutants in Zach Cregger’s Resident Evil up on the big screen, it’s very cool to see the experimental stunt work that went into the monsters’ creation.
Charles Pulliam-Moore

Film & TV Reporter
Film & TV Reporter
Charles Pulliam-Moore is a Film & TV writer for The Verge focusing on genre entertainment and how disparate, fandom-specific conversations coalesce into what we know as “the discourse.” Before coming to The Verge, Charles wrote about comic books, labor, race and a multitude of other topics at io9 and Gizmodo, and his writing has also been featured on NPR’s Code Switch blog. When he isn’t reading the source material for a piece or decompressing with a comfort horror movie, Charles is usually somewhere on his bike.
More From Charles Pulliam-Moore

The franchise’s renewed popularity with resellers is being driven by a culture fixated on hustling.
The folks over at This American Life couldn’t figure out why their comments section seemed to be filled with what appeared to be bots. It wasn’t until someone younger on the team took a look that they realized the bots were actually young people just …hanging out.



In their fight to win the war for our attention, streamers are re-creating cable from first principles.



The studios have been silent, but Hollywood’s biggest labor unions aren’t buying the AI apocalypse narrative.


First there was Squid Game: The Challenge, then there was Willy Wonka’s Golden Ticket, and now Netflix is turning Stanford professor Philip Zimbardo’s highly unethical prison experiment into yet another deranged reality series.
Correction: The New Stanford Prison Experiment is an unscripted reality series, not a reality competition show.
From April 2nd-4th, Oprah Winfrey’s AHA — an immersive experience that blends music, visual art, and storytelling — will be showing at the Sphere in Las Vegas.
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